{"id":795,"date":"2021-03-03T13:05:26","date_gmt":"2021-03-03T13:05:26","guid":{"rendered":"https:\/\/theokellogroup.com\/courses\/sample-course\/lecture\/introduction-glossary\/"},"modified":"2021-03-03T13:05:26","modified_gmt":"2021-03-03T13:05:26","slug":"introduction-glossary","status":"publish","type":"dozent_lecture","link":"https:\/\/theokellogroup.com\/courses\/livestream-video-level-1\/lecture\/introduction-glossary\/","title":{"rendered":"Introduction &#038; Glossary"},"content":{"rendered":"<p><strong>Video Broadcast Ministry<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Firstly,<\/span><\/p>\n<p><span style=\"font-weight: 400;\">I must say again and again, this is a MINISTRY! It must be taken as seriously as anyone preaching the word would take the time to study, practice, research and come with a spirit of excellence. This is not a small thing that you only think about on a sunday morning and push a few buttons. What we do here provides a word of God for those who cannot reach the church or know that THIS ministry is the one that God is speaking to them through. WHat we do here impacts the experience and growth of people seeking God and we must take that responsibility and commitment seriously.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Just like you built your faith and relationship with God, this is a step by step process, learning it bit by bit, but without commitment to look over this guide, watch the videos sent, refresh your memory with all the training materials and staying active and serving to gain more experience; you may struggle to discharge your duties in this ministry.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">&nbsp;Ok, with that said, lets get familiar with the terminology:<\/span><\/p>\n<ul>\n<li aria-level=\"1\"><strong>Whitebalance<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Balance of colour on the screen so white is really white and the other colours are showing correctly.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">If this is wrong, peoples skin can look like they have yellow, blue, red or purple tint on their faces. White balance must be done right after the stage lights have been set. Not before.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Every light has a colour tint to it, even the main stage lights, white balancing compensates for that.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Framing\/ &lsquo;composition&rsquo;<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Placement of subject\/person with correct headroom, negative space, looking space or centering.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">The subject&rsquo;s eyes must be the focal point.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Rule of Thirds<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is the industry standard method for framing or &lsquo;composing&rsquo; shots.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Watch this video which will explain and give actual examples: <\/span><a href=\"https:\/\/vimeo.com\/14315821\"><span style=\"font-weight: 400;\">https:\/\/vimeo.com\/14315821<\/span><\/a><\/li>\n<li aria-level=\"2\">&nbsp;<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Headroom<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Amount of space\/gap above the person in the shot. This should be adjusted according to the height of each subject on camera, each camera will need to be set individually, see attachments or image below for example:<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><img fetchpriority=\"high\" class=\"alignnone  wp-image-835\" src=\"..\/wp-content\/uploads\/2021\/02\/shot-framing-300x169.png\" alt=\"headroom example\" width=\"481\" height=\"271\" srcset=\"https:\/\/theokellogroup.com\/wp-content\/uploads\/2021\/02\/shot-framing-300x169.png 300w, https:\/\/theokellogroup.com\/wp-content\/uploads\/2021\/02\/shot-framing.png 720w\" sizes=\"(max-width: 481px) 100vw, 481px\" \/><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><strong>Negative space<\/strong>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Area of no interest in the shot<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Looking space<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">In side shots, this is the direction the person is looking towards&nbsp;<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Note: Notice where subject is placed in the shot, good head room, larger space in front in comparison to behind him. Left hand placement on rule of third line (see rule of third explanation if you&nbsp;<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><strong>Frame rate<\/strong>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Video is made up of lots of individual &lsquo;frames&rsquo; that are played fast so it looks like &lsquo;motion&rsquo;. You may have heard of &lsquo;24 frames per second&rsquo; and &lsquo;50 frames per second&rsquo; or &lsquo;slow-mo&rsquo; which is &lsquo;filmed at &lsquo;200 frames per second&rsquo;.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Bit rate\/ Data rate<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Bit rate is the &lsquo;per second&rsquo; file size measure of video, its a measure of quality and size of video &lsquo;chunks&rsquo; being upstreamed to youtube or to a harddrive.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Switcher<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">The device with fades between difference video sources (i.e cameras, laptops, etc).<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">At our building, we use a <\/span><strong>Blackmagic Atem Mini Pro<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"2\"><span style=\"font-weight: 400;\">This is controlled by <\/span><strong>Atem Switcher Control software, <\/strong><span style=\"font-weight: 400;\">found on all PC&rsquo;s\/ laptops in the control room. (PC\/laptop must be on the same wifi\/internet network as the Switcher.<\/span><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><strong>Note; <\/strong><span style=\"font-weight: 400;\">we also have an additional HDMI switcher connected to &lsquo;input 3&rsquo; on the switcher, this will allow connection of additional video signals when needed.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>HDMI<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Video connection type, this is the main connector type we use, as its the primary connector type on the Atem Mini Pro.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Scaler<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is a device function that allows video signals to become one matched size. SD, HD 720p and 1080p are all different picture sizes, a scaler makes all the video signals match in size by &lsquo;scaling up&rsquo; or &lsquo;scaling down&rsquo; to a pre-determined size 1920&#215;1080 (1080p)<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Our Scaler makes everything 1080p<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Resolution<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is the term used to measure quality and physical size of video signal. Broadcast standard is 1080p and this is what we use.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Mini HDMI<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Smaller HDMI connector, usually on semi pro and consumer cameras. Not really considered a professional video connector type.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>HDMI cable<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is the typical cable we use, they are common but have cable length limitation of 10m to ensure reliability. Once HDMI cables go over 10m-15m they need additional power to send a stable video signal further without flicker or degradation.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">It is possible to extend cable length by using &lsquo;CAT6 to HDMI converters and use CAT6 network cables to run upto 60m. We have this system at our building.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Another alternative is to use HD SDI cables or &lsquo;Fibre HDMI&rsquo; cables, these are more expensive but are very reliable.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Iris<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Similar to the iris in the human eye, this is a &lsquo;gate&rsquo; on the camera lens that controls the amount of light coming into the sensor (camera).<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Sensor<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">In the world of cameras, every camera has a &lsquo;sensor&rsquo; behind the lens, this is what &lsquo;sees&rsquo; the video images and converts it into a video signal we can broadcast or save to memory card.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Exposure<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is the term we use to express how much light is in a &lsquo;shot&rsquo;. Exposure is linked to &lsquo;iris&rsquo;. Some cameras DON&#8217;T have an iris control, but they have an &lsquo;Exposure&rsquo; setting, which does similar things; controls the light.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">When setting exposure, we must take the persons complexion into account and check that there is natural &lsquo;look&rsquo; of their skin tone.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">When the subject\/ person is too bright, it is important to check that the complexion of the person in real life is replicated on the screen\/camera.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Note; some cameras&rsquo; screen are not very accurate so you must make the image look perfect on the main control monitor, this may require you to ask someone to work with you to get it right.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><strong>Note; this will be different for white people and people of colour<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Over exposed<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is when the video image is too bright, the image looks &lsquo;washed out&rsquo;<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is usually indicated by white items being superwhite or coloured lights having a strong white centre rather than an even colour.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Under exposed<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">When the subject\/ person is too dark, it is important to check that the complexion of the person in real life is replicated on the screen\/camera.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><strong>Note;<\/strong><span style=\"font-weight: 400;\"> some cameras&rsquo; screen are not very accurate so you must make the image look perfect on the main control monitor, this may require you to ask someone to work with you to get it right.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><strong>Note; this will be different for white people and people of colour<\/strong><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Uplighters \/ Decorative lights<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Usually coloured lights that are pointed at walls to cast a colour tone to backgrounds and ceilings<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Stage lights<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">The main lights that are on the walls that are there to light the stage, at our building, they are the black spot lights facing down that are attached to the walls.<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<ul>\n<li aria-level=\"1\"><strong>Streamkey<\/strong><\/li>\n<\/ul>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This is the &lsquo;secret key code&rsquo; that allows each youtube channel to receive live video &lsquo;streams&rsquo; or signals. Its a method of making sure only the video we want to be broadcast goes through our channel.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">This should never be made public or anyone will be able to stream ANY content they want to our Youtube channel.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Other platforms like Zoom, Facebook and Twitch all have streamkeys.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">At our building, we have created a pre-set one that we use every<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><strong>Getting ready to stream!<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">Follow these steps to achieve our industry standard quality of broadcast.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Each stage should take you a few minutes once you are confident but in the beginning, it will take you approximately 30 minutes in total.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Ideally, audio should be controlled by another person as operating the live video AND broadcast audio should be reserved for only the more confident and experienced Sound and Video streaming technicians.<\/span><\/p>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Turn on stage lights<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Turn on cameras<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Zoom cameras to the white surface behind the lectern\/podium until the only thing in the shot is white material.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Whitebalance the camera to this zoomed in image, this will perfectly balance the colour of the cameras and they will match to at least a 95% match.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Turn on uplighters<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Frame the cameras (you may need to have someone stand at the front to do this)<\/span>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Large Panasonic camera: master shot front, a midshot; (covers the middle of subject\/person to the top)<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Small Panasonic camera (place on top of large panasonic camera): Wide front stage shot (covers bottom of stage to just below the projector):<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Side shot: <\/span><\/li>\n<\/ol>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">You want each shot to look different, so each camera should be a different zoom length.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">The right side camera could be a superwide shot that covers the entire stage.<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Turn on the graphics PC<\/span>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Make sure graphics are being sent to the ATEM switcher<\/span><\/li>\n<\/ol>\n<\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Check and test all additional pre-recorded video files;<\/span>\n<ol>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Countdown videos<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Intro videos<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">announcements<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">end roll\/ credits videos<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"2\"><span style=\"font-weight: 400;\">Giving\/tithes notices<\/span><\/li>\n<\/ol>\n<\/li>\n<\/ol>\n","protected":false},"template":"","meta":{"_ppp_document_settings_meta":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":""},"_links":{"self":[{"href":"https:\/\/theokellogroup.com\/wp-json\/wp\/v2\/dozent_lecture\/795"}],"collection":[{"href":"https:\/\/theokellogroup.com\/wp-json\/wp\/v2\/dozent_lecture"}],"about":[{"href":"https:\/\/theokellogroup.com\/wp-json\/wp\/v2\/types\/dozent_lecture"}],"wp:attachment":[{"href":"https:\/\/theokellogroup.com\/wp-json\/wp\/v2\/media?parent=795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}